AI Porn Generator
Where she is written down at ChuhaiW: one fixed westmark card, held across a whole series. Standard frames at 6 credits, premium kept for covers.
The westmark card: where she is written down
Everything made at ChuhaiW starts at the same desk: a fictional adult woman, described once and described properly. The standard model renders a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is kept for the frames that will front a pack or carry a profile. Between those two costs sits the whole craft of this generator, and it is a patient craft: her description is her westmark card, and a card is never rewritten from memory halfway through a set.
Write the card in five fixed lines, always in the same order: her age as a plain number — the house habit here is a woman in her late twenties, written plainly; her hair, colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature, the plain silver clip or small mark that identifies her even in a tight crop. Paste that card, word for word, at the head of every prompt. Below it, one changing line carries what varies: the outfit, the corner of the room, the hour, the light. Hold the card steady and every new frame can be judged honestly against it.
The working routine
Write the westmark card once
Concrete lines survive being passed from tool to tool. A named hairstyle and a named signature render the same woman every time; a mood is reinterpreted at every generation.
Change one thing at a time
Make a set in one setting under one light, then move a single thing onward. A series is built from deliberate single changes, not from re-rolling a prompt and hoping she stays herself.
Keep the best third
Generate generously at the standard cost, then cull hard against the westmark card. Edits, swaps and upscales are finishing costs — spend them only on frames that earned their place.
Where the frames go
A week of frames, briefed in one sitting
Brief seven frames of one character in one session, and the feed never waits on inspiration mid-week.
Cover frames and previews
The frame at the front of a pack, made to the same standard as the set inside it.
First frames for video
Stills composed with room to move — space around the subject, a direction left open — ready for the video tool.
Two sittings, one westmark card
“Fictional 29-year-old woman, glossy black hair in a sleek low chignon held with a plain silver clip, smooth fair skin, mature smoky-eye makeup with sculpted contouring, defined brows and a confident direct gaze; violet satin corset lingerie set with blush lace trim and a sheer plum robe slipped off one shoulder, standing at a midnight-violet desk with plain blank boards and warm magenta side light, all surfaces plain with no letters or lettering anywhere, editorial photograph.”
Everything before the semicolon is the westmark card — it never changes. The line after it is the only new thing in this frame.
“Fictional 29-year-old woman, copper-red hair in long glossy waves over one shoulder, fair skin, groomed brows, defined cheekbones and a poised assured gaze; magenta silk slip dress with violet lace trim and a sheer charcoal duster robe worn open, seated at the westmark desk beside a plain brass lamp, soft violet evening light, no text anywhere, editorial photograph.”
A second regular, kept on her own card. Two characters, two cards, never a blend of the two.
Standard and premium sittings
| Setting | Standard model | Premium model |
|---|---|---|
| Cost | 6 credits | 41 credits |
| Kept for | Series work, daily frames, volume | Covers, hero frames, the one image everyone sees first |
| Method | Generate many, keep few | Brief slowly, generate few |
Where frames go astray
| Symptom | Cause | Correction |
|---|---|---|
| The character changes between frames | The westmark card was rewritten from memory | Paste the same card every time; vary only the line below it |
| The frame feels crowded and unsettled | Too many objects and actions in one brief | One setting, one action, one light source per frame |
| Hands and small props break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Can I generate anything for free?
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the cost of one standard frame. That is one picture a day from the westmark desk, for as long as you keep checking in. Credit packs are there for the days when the workload runs longer.
How much does a frame cost?
A standard frame costs 6 credits, shown before you confirm the job. The premium model costs 41 credits and is best kept for covers and hero frames rather than daily series work.
How do I keep the same character across a whole series?
Write her westmark card once — age, hair, build, face, signature — and paste it unchanged at the top of every prompt. Change only the outfit, the setting and the light in the line below it, and judge each result against the card.
Are my frames public?
No. Frames rest private in your account. Only what you deliberately publish appears in the gallery, and unpublishing takes effect immediately.
What size do frames arrive at?
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination asks for more, the image upscaler is the last stop.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator